Juliano Mer Khamis ~ In Loving and Respectful Memory of An Extraordinarily Human Being
ג'וליאנו מֵר חמיס جوليانو مير خميس
Juliano Mer Khamis
Jadaliyya
Juliano was born in Nazareth in 1958. He was the son of Saliba Khamis, a Palestinian citizen of Israel who was at one time the secretary of the Israeli Communist Party, and Arna Mer Khamis, a Jewish Israeli who spent her youth in the Palmach but became an anti-Zionist activist and a fearless fighter for peace, justice, and human rights. In interviews, Juliano would tell a story that marked the “racial lunacy” into which he was born: his mother went into labor while taking part in a protest against the imposition of martial law on Palestinian villages in Israel. She was rushed to the hospital, "but the doctors refused to stitch her and she nearly bled to death," he said. "They knew she was married to an Arab."
Growing up, Juliano for a time adopted his Jewish maternal name and joined an elite fighting unit of the IDF. "For a whole year my father wouldn't talk to me. He simply kept silent," he told an interviewer. But in 1978, while stationed in Jenin, he refused an order to forcibly remove an elderly Palestinian man from a car and ended up in a fight with his commanding officer. He was imprisoned for a few weeks and then left the army. Ultimately, he came to identify himself, as he put it in 2009, by stating: "I am 100 percent Palestinian and 100 percent Jewish."
He worked extensively as an actor in film, television, and stage, beginning in the 1980s; during this time, he also began to work with his mother on the original Freedom Theater project in Jenin. Funded in part by the prize money that Arna Mer Khamis was awarded when she won the Alternative Nobel Prize, the theater was part of a larger project, “Care and Learning,” set up by Arna and a number of volunteers in the Jenin Refugee Camp. She was the vision behind the project until her death in 1994.
In 2003, Juliano collaborated with Daniel Daniel to produce and direct the documentary Arna’s Children. The film lovingly documented the work of The Freedom Theater, and the lives of the children from Jenin who participated in the plays and theater workshops. The film is also a document of the horrific destruction visited upon the Jenin Refugee Camp when it was invaded by Israeli forces in April 2002, and an account of the Battle of Jenin fought against this invasion. Following the lives and deaths of the young people who participated in The Freedom Theater, as well as the destruction of the theater itself in the Israeli invasion, the film was regarded by many as a masterpiece, and was awarded the Best Documentary Feature prize at the 2004 Tribeca Film Festival. In the words of one reviewer, the film is “a work of art, because it was made with a trembling hand, with the stammer of someone who does not know whom to mourn most: his mother, the boys from the Jenin camp or the trampled hopes of people yearning to be free." It is also a film made with tremendous courage and honesty, two virtues that were the trademark of Juliano’s art. Elias Khoury wrote of Arna’s Children: “It was not an ordinary film. I do not know from where Juliano drew the courage and bravery to create this masterpiece, which appeared before my eyes as a testimony stronger than both life and death together.”
The reaction to Arna’s Children helped lead to the possibility of rebuilding and expanding The Freedom Theater in Jenin. In 2006, the theater opened its doors, and since then, it has offered a wide variety of workshops and other opportunities to young people in the camp, along with training in filmmaking, and the first Acting School in Palestine was opened at The Freedom Theater in 2008. The theater has also produced a number of plays, including Men in the Sun and Animal Farm. The theater’s most recent production, Alice in Wonderland, co-directed by Juliano, opened in January to standing-room-only crowds and rave reviews. All this constitutes a rare legacy, achieved through a tremendous collective effort, and Juliano was the visionary behind it all.
Juliano Mer Khamis was a fearless artist, and a fearless human being. Arna’s Children and The Freedom Theater are only the two most visible parts of his legacy, a legacy that bespeaks the role artistic creation can play even amidst the most horrible depths of injustice and suffering. “The Freedom Theatre will provide the children of the camp a tranquil environment to express themselves and create,”he wrote, describing the vision of the theater in 2006. To imagine the possibility of opening up a space of tranquility, of expression, and thus of possibility, in Jenin Refugee Camp, whose name has become synonymous with the most vicious and destructive brutality of the occupation, might be seen as madness. Its very existence is a testament to the power of the artistic tradition that Juliano embodied with such beauty and power.
In Arna’s Children, Juliano documented, tenderly and fearlessly, the many ways that martyrdom comes to the young artists of Jenin camp. He showed us that every life lost in Jenin needed to be seen and understood as an unspeakable tragedy worthy of our remembrance. As Khoury wrote, so movingly, on the establishment of The Freedom Theater in Jenin: “It stands on ground laid down by the child martyrs, who found that the meaning they learned in Arna’s theatre led them in their early youth to create the epic of Jenin Refugee Camp, through its heroic resistance in 2002. These are the children who we watched in the film Arna’s Children, dying and their blood covering their dream of becoming actors and artists. They are the true owners of The Freedom Theatre in Jenin Refugee Camp.” Juliano has joined them. The loss of his voice is an irreplaceable one.
Arna’s Children can be purchased on DVD here, with all proceeds donated to The Freedom Theater in Jenin. For other ways to support The Freedom Theater, see here.
Juliano's family has issued a very moving statement that is a testament to his life and work: it can be found here.
Lastly, before this wonderful film about the Freedom Theater, here is a link to an interview that was done with Juliano on his remarkable documentary, Arna's Children, in 2005. It was aired on "Voices of the Middle East and North Africa" on KPFA Radio in Berkeley, California.
Taken directly from http://www.jadaliyya.com/pages/index/1108/juliano-mer-khamis
A Short Film on Juliano Mer Khamis’ Theater
Note From Noelle:
We have lost a great and courageous man who spoke for those who had no voice. There is no comprehending the depth of inhumanity that would bring any one person to such actions against someone so pure of heart whose life made such a marked difference to so many. I do not believe that Mr. Mer Khamis would wish people to respond violently to what has occurred. This is a time for unity of purpose, for clarity of vision and for strength of resolve. It is time for the Children of Jenin and their theater ~a place that has been a source of hope, self-expression and personal solace in times of emotional trauma. We must find ways to continue to support this theater in years to come. Juliano Mer Khamis’ gave up his career in acting to devote his life to these children. I am asking, what I can do, now that he is gone. Here is the link for donation.
http://www.thefreedomtheatre.org/support.php
Juliano Mer Khamis
A Morning Offering
I bless the night that nourished my heart
To set the ghosts of longing free
Into the flow and figure of dream
That went to harvest from the dark
Bread for the hunger no one sees.
All that is eternal in me
Welcome the wonder of this day,
The field of brightness it creates
Offering time for each thing
To arise and illuminate.
I place on the altar of dawn:
The quiet loyalty of breath,
The tent of thought where I shelter,
Wave of desire I am shore to
And all beauty drawn to the eye.
May my mind come alive today
To the invisible geography
That invites me to new frontiers,
To break the dead shell of yesterdays,
To risk being disturbed and changed.
May I have the courage today
To live the life that I would love,
To postpone my dream no longer
But do at last what I came here for
And waste my heart on fear no more.
~ John O'Donohue ~
Jadaliyya
by Anthony Alessandrini
Jadaliyya is tremendously saddened to report the murder of Juliano Mer Khamis earlier today. Juliano, 52, who was the Artistic Director of The Jenin Freedom Theater and the co-director of the award-winning documentary Arna’s Children, was shot by unknown assailants in Jenin as he was leaving the theater. We offer our deepest condolences to his family, his friends, and all who worked with him and loved him. Juliano was born in Nazareth in 1958. He was the son of Saliba Khamis, a Palestinian citizen of Israel who was at one time the secretary of the Israeli Communist Party, and Arna Mer Khamis, a Jewish Israeli who spent her youth in the Palmach but became an anti-Zionist activist and a fearless fighter for peace, justice, and human rights. In interviews, Juliano would tell a story that marked the “racial lunacy” into which he was born: his mother went into labor while taking part in a protest against the imposition of martial law on Palestinian villages in Israel. She was rushed to the hospital, "but the doctors refused to stitch her and she nearly bled to death," he said. "They knew she was married to an Arab."
Growing up, Juliano for a time adopted his Jewish maternal name and joined an elite fighting unit of the IDF. "For a whole year my father wouldn't talk to me. He simply kept silent," he told an interviewer. But in 1978, while stationed in Jenin, he refused an order to forcibly remove an elderly Palestinian man from a car and ended up in a fight with his commanding officer. He was imprisoned for a few weeks and then left the army. Ultimately, he came to identify himself, as he put it in 2009, by stating: "I am 100 percent Palestinian and 100 percent Jewish."
He worked extensively as an actor in film, television, and stage, beginning in the 1980s; during this time, he also began to work with his mother on the original Freedom Theater project in Jenin. Funded in part by the prize money that Arna Mer Khamis was awarded when she won the Alternative Nobel Prize, the theater was part of a larger project, “Care and Learning,” set up by Arna and a number of volunteers in the Jenin Refugee Camp. She was the vision behind the project until her death in 1994.
In 2003, Juliano collaborated with Daniel Daniel to produce and direct the documentary Arna’s Children. The film lovingly documented the work of The Freedom Theater, and the lives of the children from Jenin who participated in the plays and theater workshops. The film is also a document of the horrific destruction visited upon the Jenin Refugee Camp when it was invaded by Israeli forces in April 2002, and an account of the Battle of Jenin fought against this invasion. Following the lives and deaths of the young people who participated in The Freedom Theater, as well as the destruction of the theater itself in the Israeli invasion, the film was regarded by many as a masterpiece, and was awarded the Best Documentary Feature prize at the 2004 Tribeca Film Festival. In the words of one reviewer, the film is “a work of art, because it was made with a trembling hand, with the stammer of someone who does not know whom to mourn most: his mother, the boys from the Jenin camp or the trampled hopes of people yearning to be free." It is also a film made with tremendous courage and honesty, two virtues that were the trademark of Juliano’s art. Elias Khoury wrote of Arna’s Children: “It was not an ordinary film. I do not know from where Juliano drew the courage and bravery to create this masterpiece, which appeared before my eyes as a testimony stronger than both life and death together.”
The reaction to Arna’s Children helped lead to the possibility of rebuilding and expanding The Freedom Theater in Jenin. In 2006, the theater opened its doors, and since then, it has offered a wide variety of workshops and other opportunities to young people in the camp, along with training in filmmaking, and the first Acting School in Palestine was opened at The Freedom Theater in 2008. The theater has also produced a number of plays, including Men in the Sun and Animal Farm. The theater’s most recent production, Alice in Wonderland, co-directed by Juliano, opened in January to standing-room-only crowds and rave reviews. All this constitutes a rare legacy, achieved through a tremendous collective effort, and Juliano was the visionary behind it all.
Juliano Mer Khamis was a fearless artist, and a fearless human being. Arna’s Children and The Freedom Theater are only the two most visible parts of his legacy, a legacy that bespeaks the role artistic creation can play even amidst the most horrible depths of injustice and suffering. “The Freedom Theatre will provide the children of the camp a tranquil environment to express themselves and create,”he wrote, describing the vision of the theater in 2006. To imagine the possibility of opening up a space of tranquility, of expression, and thus of possibility, in Jenin Refugee Camp, whose name has become synonymous with the most vicious and destructive brutality of the occupation, might be seen as madness. Its very existence is a testament to the power of the artistic tradition that Juliano embodied with such beauty and power.
In Arna’s Children, Juliano documented, tenderly and fearlessly, the many ways that martyrdom comes to the young artists of Jenin camp. He showed us that every life lost in Jenin needed to be seen and understood as an unspeakable tragedy worthy of our remembrance. As Khoury wrote, so movingly, on the establishment of The Freedom Theater in Jenin: “It stands on ground laid down by the child martyrs, who found that the meaning they learned in Arna’s theatre led them in their early youth to create the epic of Jenin Refugee Camp, through its heroic resistance in 2002. These are the children who we watched in the film Arna’s Children, dying and their blood covering their dream of becoming actors and artists. They are the true owners of The Freedom Theatre in Jenin Refugee Camp.” Juliano has joined them. The loss of his voice is an irreplaceable one.
Arna’s Children can be purchased on DVD here, with all proceeds donated to The Freedom Theater in Jenin. For other ways to support The Freedom Theater, see here.
Juliano's family has issued a very moving statement that is a testament to his life and work: it can be found here.
Lastly, before this wonderful film about the Freedom Theater, here is a link to an interview that was done with Juliano on his remarkable documentary, Arna's Children, in 2005. It was aired on "Voices of the Middle East and North Africa" on KPFA Radio in Berkeley, California.
Taken directly from http://www.jadaliyya.com/pages/index/1108/juliano-mer-khamis
A Short Film on Juliano Mer Khamis’ Theater
Note From Noelle:
We have lost a great and courageous man who spoke for those who had no voice. There is no comprehending the depth of inhumanity that would bring any one person to such actions against someone so pure of heart whose life made such a marked difference to so many. I do not believe that Mr. Mer Khamis would wish people to respond violently to what has occurred. This is a time for unity of purpose, for clarity of vision and for strength of resolve. It is time for the Children of Jenin and their theater ~a place that has been a source of hope, self-expression and personal solace in times of emotional trauma. We must find ways to continue to support this theater in years to come. Juliano Mer Khamis’ gave up his career in acting to devote his life to these children. I am asking, what I can do, now that he is gone. Here is the link for donation.
http://www.thefreedomtheatre.org/support.php
Dear Noelle~ More heartbreaking news. The world has lost someone who was making a difference. I lived in Lebanon a long time ago, and I remember the Palestinian refugee children shouting, "Fedayeen (cry to battle)!' Juliano has these children all shouting, "Freedom!" He was beautiful in mind, body, and spirit, and I pray others like him willl come forward.
ReplyDeleteDear Margaret,
ReplyDeleteThank you for your kind and thoughtful words. You are a woman of much
worldly experience and I value that a great deal. I have been deeply
griefstricken at this news. I pray the same. I pray that his legacy lives on
in every way. Thank you for what you have said here. It is a tribute to the
soul of a great man.
Love,
Noelle
dear noelle,
ReplyDeleteyour tribute to this beautiful soul rings out in witness to love. it is heart crushing to loose anyone, especially those who dedicate their life work to bring about brighter futures. it does not seem possible. yet he joins the greatness of others who before him have paved the road to oneness with their boundless sacrifices.
may we find our way to act in love, encourage peace, move mindfully, giving our best to each new day.
Rebecca,
ReplyDeleteThank you for reading this and for your tender and heartfelt response. It is
loving and encouraging and heart opening. I am grateful for your empathic
insight into this tragedy and thankful for the life of Juliano Mer Khamis.
Love,
Noelle